Online 2020
Online 2020
Online 2020
Online 2020
Pandemic Editions
Ediciones en Pandemia
RESIDENTS
(III)
Eduardo Tejado (Argentina)
Francisco Zito (Argentina)
Evelling Miller (Spain)
Maki Leos Hosokawa (Mexico / Japan)
Sinntia Obsidiana (Delta, Argentina)
Carola Etcher (Buenos Aires, Argentina)
Natacha Ambros (Argentina)
Esteban Posca (Argentina)
Rocio Mata (Spain)
(II)
Victoria Momeño (Argentina)
Anik Sterk (Germany)
Tania Tovar (Mexico)
Victoria Lazcano (Spain)
(I)
Mariela Limerutti (Argentina)
Misael Sámano-Vargas (Mexico)
Rosario Aróstegui (Argentina / Germany)
In response to the global challenges of 2020, Flusslab adapted its residency program to a virtual format, embracing the possibilities of the digital realm. The first edition of the residency unfolded across three sessions throughout the year, bringing together 16 participants from diverse disciplines and backgrounds.
This unique online experience fostered collaboration beyond physical borders, creating a space for artistic exploration, dialogue, and innovation. Despite the distance, the Flusslab community thrived, proving that creativity knows no limits.
The inaugural edition laid the foundation for a dynamic and evolving platform, redefining what an artist residency can be in a rapidly changing world.
In this first edition, the three participants worked on the following projects: Mariela Limerutti: "Pan-Demia", Misael Samano: "Parece Que Todos Estamos Pensando Lo Mismo" and Rosario Aróstegui: "Reversión".
In response to the global challenges of 2020, Flusslab adapted its residency program to a virtual format, embracing the possibilities of the digital realm. The first edition of the residency unfolded across three sessions throughout the year, bringing together 16 participants from diverse disciplines and backgrounds.
This unique online experience fostered collaboration beyond physical borders, creating a space for artistic exploration, dialogue, and innovation. Despite the distance, the Flusslab community thrived, proving that creativity knows no limits.
The inaugural edition laid the foundation for a dynamic and evolving platform, redefining what an artist residency can be in a rapidly changing world.
In this first edition, the three participants worked on the following projects: Mariela Limerutti: "Pan-Demia", Misael Samano: "Parece Que Todos Estamos Pensando Lo Mismo" and Rosario Aróstegui: "Reversión".
In response to the global challenges of 2020, Flusslab adapted its residency program to a virtual format, embracing the possibilities of the digital realm. The first edition of the residency unfolded across three sessions throughout the year, bringing together 16 participants from diverse disciplines and backgrounds.
This unique online experience fostered collaboration beyond physical borders, creating a space for artistic exploration, dialogue, and innovation. Despite the distance, the Flusslab community thrived, proving that creativity knows no limits.
The inaugural edition laid the foundation for a dynamic and evolving platform, redefining what an artist residency can be in a rapidly changing world.
In this first edition, the three participants worked on the following projects: Mariela Limerutti: "Pan-Demia", Misael Samano: "Parece Que Todos Estamos Pensando Lo Mismo" and Rosario Aróstegui: "Reversión".
In response to the global challenges of 2020, Flusslab adapted its residency program to a virtual format, embracing the possibilities of the digital realm. The first edition of the residency unfolded across three sessions throughout the year, bringing together 16 participants from diverse disciplines and backgrounds.
This unique online experience fostered collaboration beyond physical borders, creating a space for artistic exploration, dialogue, and innovation. Despite the distance, the Flusslab community thrived, proving that creativity knows no limits.
The inaugural edition laid the foundation for a dynamic and evolving platform, redefining what an artist residency can be in a rapidly changing world.
In this first edition, the three participants worked on the following projects: Mariela Limerutti: "Pan-Demia", Misael Samano: "Parece Que Todos Estamos Pensando Lo Mismo" and Rosario Aróstegui: "Reversión".
As the pandemic continued, Pandemia II deepened the investigation into the intersections of technology, art, and human resilience. This edition focused on collective experiences, reflecting on how digital environments could become spaces of refuge, experimentation, and resistance. The works created during this phase examined the evolving relationship between individuals and virtuality, questioning the limits between presence and absence, connection and disconnection.
As the pandemic continued, Pandemia II deepened the investigation into the intersections of technology, art, and human resilience. This edition focused on collective experiences, reflecting on how digital environments could become spaces of refuge, experimentation, and resistance. The works created during this phase examined the evolving relationship between individuals and virtuality, questioning the limits between presence and absence, connection and disconnection.
As the pandemic continued, Pandemia II deepened the investigation into the intersections of technology, art, and human resilience. This edition focused on collective experiences, reflecting on how digital environments could become spaces of refuge, experimentation, and resistance. The works created during this phase examined the evolving relationship between individuals and virtuality, questioning the limits between presence and absence, connection and disconnection.
As the pandemic continued, Pandemia II deepened the investigation into the intersections of technology, art, and human resilience. This edition focused on collective experiences, reflecting on how digital environments could become spaces of refuge, experimentation, and resistance. The works created during this phase examined the evolving relationship between individuals and virtuality, questioning the limits between presence and absence, connection and disconnection.
Closing a transformative year, Pandemia III was a testament to adaptation and innovation. This final edition of 2020 showcased how digital platforms could foster interdisciplinary dialogue despite physical barriers. By combining science, art, and emerging technologies, the participants envisioned new possibilities for creative exchange, proving that even in isolation, collaboration and experimentation could flourish.
Closing a transformative year, Pandemia III was a testament to adaptation and innovation. This final edition of 2020 showcased how digital platforms could foster interdisciplinary dialogue despite physical barriers. By combining science, art, and emerging technologies, the participants envisioned new possibilities for creative exchange, proving that even in isolation, collaboration and experimentation could flourish.
Closing a transformative year, Pandemia III was a testament to adaptation and innovation. This final edition of 2020 showcased how digital platforms could foster interdisciplinary dialogue despite physical barriers. By combining science, art, and emerging technologies, the participants envisioned new possibilities for creative exchange, proving that even in isolation, collaboration and experimentation could flourish.
Closing a transformative year, Pandemia III was a testament to adaptation and innovation. This final edition of 2020 showcased how digital platforms could foster interdisciplinary dialogue despite physical barriers. By combining science, art, and emerging technologies, the participants envisioned new possibilities for creative exchange, proving that even in isolation, collaboration and experimentation could flourish.
