Online 2022
Online 2022
Online 2022
Online 2022
Edition #12
Edición #12
RESIDENTS
Azucena Sanchez (Germany)
Duilio Tapia (Argentina)
Lucas Dima (Germany)
Marcio Raposo (Germany)
Metavioleta (Germany)
Tuty Moreno (Argentina)
Yuliana Balmaceda (Argentina)
Curated by Mariana Rodríguez Iglesias
"Through the practice of meeting and group discussion, FlussLab offers an environment for creative enrichment—like a pause within the everyday. It is a self-regulated space where residents share intellectual, poetic, and technical resources. Each edition fosters critical thinking, curiosity, and collaborative inquiry. Participants refine and reorganize their narratives based on feedback, integrating new research, references, and technologies.
As curator of this 12th edition, I had the privilege of spending three weeks with a diverse group of residents from Berlin, San Juan, and Buenos Aires. They connected through shared projects, dialogue, and exchange. A phrase that resonated throughout this edition was: "Art is a verb, not a noun." This idea is reflected in every process exhibited in the FlussLab Open Studio, reinforcing art as an ongoing, evolving action.
The Open Studio serves as a momentary glimpse into an ongoing process, emphasizing action over objects—exploring, analyzing, connecting, listening, collecting, playing, imagining, recording, and composing."
Mariana Rodríguez Iglesias - Curator
"Through the practice of meeting and group discussion, FlussLab offers an environment for creative enrichment—like a pause within the everyday. It is a self-regulated space where residents share intellectual, poetic, and technical resources. Each edition fosters critical thinking, curiosity, and collaborative inquiry. Participants refine and reorganize their narratives based on feedback, integrating new research, references, and technologies.
As curator of this 12th edition, I had the privilege of spending three weeks with a diverse group of residents from Berlin, San Juan, and Buenos Aires. They connected through shared projects, dialogue, and exchange. A phrase that resonated throughout this edition was: "Art is a verb, not a noun." This idea is reflected in every process exhibited in the FlussLab Open Studio, reinforcing art as an ongoing, evolving action.
The Open Studio serves as a momentary glimpse into an ongoing process, emphasizing action over objects—exploring, analyzing, connecting, listening, collecting, playing, imagining, recording, and composing."
Mariana Rodríguez Iglesias - Curator
"Through the practice of meeting and group discussion, FlussLab offers an environment for creative enrichment—like a pause within the everyday. It is a self-regulated space where residents share intellectual, poetic, and technical resources. Each edition fosters critical thinking, curiosity, and collaborative inquiry. Participants refine and reorganize their narratives based on feedback, integrating new research, references, and technologies.
As curator of this 12th edition, I had the privilege of spending three weeks with a diverse group of residents from Berlin, San Juan, and Buenos Aires. They connected through shared projects, dialogue, and exchange. A phrase that resonated throughout this edition was: "Art is a verb, not a noun." This idea is reflected in every process exhibited in the FlussLab Open Studio, reinforcing art as an ongoing, evolving action.
The Open Studio serves as a momentary glimpse into an ongoing process, emphasizing action over objects—exploring, analyzing, connecting, listening, collecting, playing, imagining, recording, and composing."
Mariana Rodríguez Iglesias - Curator
"Through the practice of meeting and group discussion, FlussLab offers an environment for creative enrichment—like a pause within the everyday. It is a self-regulated space where residents share intellectual, poetic, and technical resources. Each edition fosters critical thinking, curiosity, and collaborative inquiry. Participants refine and reorganize their narratives based on feedback, integrating new research, references, and technologies.
As curator of this 12th edition, I had the privilege of spending three weeks with a diverse group of residents from Berlin, San Juan, and Buenos Aires. They connected through shared projects, dialogue, and exchange. A phrase that resonated throughout this edition was: "Art is a verb, not a noun." This idea is reflected in every process exhibited in the FlussLab Open Studio, reinforcing art as an ongoing, evolving action.
The Open Studio serves as a momentary glimpse into an ongoing process, emphasizing action over objects—exploring, analyzing, connecting, listening, collecting, playing, imagining, recording, and composing."
Mariana Rodríguez Iglesias - Curator
Algorithmic, graphical and physical documentation of the emotional situation of a specific territory.
A graphic and physical documentation of the emotional situation of a specific territory.
The piece proposes to convert the feeling of strangeness produced by the enigma into a process, anonymity and repetition or replication, generating a loop of automatic visualization between the audience, the information, the network and the artist.
https://hackeoemocional.wordpress.com/
Algorithmic, graphical and physical documentation of the emotional situation of a specific territory.
A graphic and physical documentation of the emotional situation of a specific territory.
The piece proposes to convert the feeling of strangeness produced by the enigma into a process, anonymity and repetition or replication, generating a loop of automatic visualization between the audience, the information, the network and the artist.
https://hackeoemocional.wordpress.com/
Algorithmic, graphical and physical documentation of the emotional situation of a specific territory.
A graphic and physical documentation of the emotional situation of a specific territory.
The piece proposes to convert the feeling of strangeness produced by the enigma into a process, anonymity and repetition or replication, generating a loop of automatic visualization between the audience, the information, the network and the artist.
https://hackeoemocional.wordpress.com/
Algorithmic, graphical and physical documentation of the emotional situation of a specific territory.
A graphic and physical documentation of the emotional situation of a specific territory.
The piece proposes to convert the feeling of strangeness produced by the enigma into a process, anonymity and repetition or replication, generating a loop of automatic visualization between the audience, the information, the network and the artist.
https://hackeoemocional.wordpress.com/
That which appears to be a minimal flash of light is, at the same time, the fundamental piece of everything that is represented digitally.
Pixel is a reminder of what the pixel means and its power.
Resources just perceived by the human eye.
The pixel is put on the scene, that which appears to be a minimal flash of light and at the same time is the fundamental piece of everything that is represented digitally.
https://pixel.lucasdima.com/
https://www.lucasdima.com/2022/07/pixel-the-experimental-videogame/
That which appears to be a minimal flash of light is, at the same time, the fundamental piece of everything that is represented digitally.
Pixel is a reminder of what the pixel means and its power.
Resources just perceived by the human eye.
The pixel is put on the scene, that which appears to be a minimal flash of light and at the same time is the fundamental piece of everything that is represented digitally.
https://pixel.lucasdima.com/
https://www.lucasdima.com/2022/07/pixel-the-experimental-videogame/
That which appears to be a minimal flash of light is, at the same time, the fundamental piece of everything that is represented digitally.
Pixel is a reminder of what the pixel means and its power.
Resources just perceived by the human eye.
The pixel is put on the scene, that which appears to be a minimal flash of light and at the same time is the fundamental piece of everything that is represented digitally.
https://pixel.lucasdima.com/
https://www.lucasdima.com/2022/07/pixel-the-experimental-videogame/
That which appears to be a minimal flash of light is, at the same time, the fundamental piece of everything that is represented digitally.
Pixel is a reminder of what the pixel means and its power.
Resources just perceived by the human eye.
The pixel is put on the scene, that which appears to be a minimal flash of light and at the same time is the fundamental piece of everything that is represented digitally.
https://pixel.lucasdima.com/
https://www.lucasdima.com/2022/07/pixel-the-experimental-videogame/
It is a project about memory, expectation, violence, permanence and guilt. Using technological and scientific tools as a means to stop this violence we have occasioned and demand change. Samples of soil and earth are taken from different points along the Neckar river in Mannheim to determine how polluted the river is.
With this project the artists aims to show how dirty our hands are, the guilt of the industries that have done so much hard to the Earth, and how easily tools can be found that give the power back to the people and society to demand justice on behalf of our home and nature.
http://azucena-sanchez.art/my-hands-are-dirty/
It is a project about memory, expectation, violence, permanence and guilt. Using technological and scientific tools as a means to stop this violence we have occasioned and demand change. Samples of soil and earth are taken from different points along the Neckar river in Mannheim to determine how polluted the river is.
With this project the artists aims to show how dirty our hands are, the guilt of the industries that have done so much hard to the Earth, and how easily tools can be found that give the power back to the people and society to demand justice on behalf of our home and nature.
http://azucena-sanchez.art/my-hands-are-dirty/
It is a project about memory, expectation, violence, permanence and guilt. Using technological and scientific tools as a means to stop this violence we have occasioned and demand change. Samples of soil and earth are taken from different points along the Neckar river in Mannheim to determine how polluted the river is.
With this project the artists aims to show how dirty our hands are, the guilt of the industries that have done so much hard to the Earth, and how easily tools can be found that give the power back to the people and society to demand justice on behalf of our home and nature.
http://azucena-sanchez.art/my-hands-are-dirty/
It is a project about memory, expectation, violence, permanence and guilt. Using technological and scientific tools as a means to stop this violence we have occasioned and demand change. Samples of soil and earth are taken from different points along the Neckar river in Mannheim to determine how polluted the river is.
With this project the artists aims to show how dirty our hands are, the guilt of the industries that have done so much hard to the Earth, and how easily tools can be found that give the power back to the people and society to demand justice on behalf of our home and nature.
http://azucena-sanchez.art/my-hands-are-dirty/
The signal Radio Wollen streams 24 hours a day, sound compositions created from listeners’ recordings. The sound of the water running, on this side and on the other side of the ocean (Berlin / San Juan - Mexico / Munich).
How will be a composition of sound that at the same time that it moves forward, it moves backward?
Let's turn off the cameras and listen...
https://radiowollen.blogspot.com/
https://soundcloud.com/radiowollen
The signal Radio Wollen streams 24 hours a day, sound compositions created from listeners’ recordings. The sound of the water running, on this side and on the other side of the ocean (Berlin / San Juan - Mexico / Munich).
How will be a composition of sound that at the same time that it moves forward, it moves backward?
Let's turn off the cameras and listen...
https://radiowollen.blogspot.com/
https://soundcloud.com/radiowollen
The signal Radio Wollen streams 24 hours a day, sound compositions created from listeners’ recordings. The sound of the water running, on this side and on the other side of the ocean (Berlin / San Juan - Mexico / Munich).
How will be a composition of sound that at the same time that it moves forward, it moves backward?
Let's turn off the cameras and listen...
https://radiowollen.blogspot.com/
https://soundcloud.com/radiowollen
The signal Radio Wollen streams 24 hours a day, sound compositions created from listeners’ recordings. The sound of the water running, on this side and on the other side of the ocean (Berlin / San Juan - Mexico / Munich).
How will be a composition of sound that at the same time that it moves forward, it moves backward?
Let's turn off the cameras and listen...
https://radiowollen.blogspot.com/
https://soundcloud.com/radiowollen
How, in cyberspace, does our body react to the demand of the context?
Performative 3D model made with photogrammetry and images generated with artificial intelligence from a textual description.
How is this body linked to cyberspace, how do the context demands influence it and how can it react?
https://hub.link/FnbzGk7
How, in cyberspace, does our body react to the demand of the context?
Performative 3D model made with photogrammetry and images generated with artificial intelligence from a textual description.
How is this body linked to cyberspace, how do the context demands influence it and how can it react?
https://hub.link/FnbzGk7
How, in cyberspace, does our body react to the demand of the context?
Performative 3D model made with photogrammetry and images generated with artificial intelligence from a textual description.
How is this body linked to cyberspace, how do the context demands influence it and how can it react?
https://hub.link/FnbzGk7
How, in cyberspace, does our body react to the demand of the context?
Performative 3D model made with photogrammetry and images generated with artificial intelligence from a textual description.
How is this body linked to cyberspace, how do the context demands influence it and how can it react?
https://hub.link/FnbzGk7
Non-functional filters to make visible in the virtual world what has been thrown away in the analogically street.
They propose to redefine the uses of urban waste, discarded items and parts eliminated due to programmed obsolescence.
Non-functional filters to make visible in the virtual world what has been thrown away in the analogically street.
They propose to redefine the uses of urban waste, discarded items and parts eliminated due to programmed obsolescence.
Non-functional filters to make visible in the virtual world what has been thrown away in the analogically street.
They propose to redefine the uses of urban waste, discarded items and parts eliminated due to programmed obsolescence.
Non-functional filters to make visible in the virtual world what has been thrown away in the analogically street.
They propose to redefine the uses of urban waste, discarded items and parts eliminated due to programmed obsolescence.